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SUMMARY:Armand d'Angour - Songmaking to Socrates: New Light on Ancient Classics
DESCRIPTION:
URL:https://pharos.foundation/event/armand-dangour-songmaking-to-socrates-new-light-on-ancient-classics/2026-03-09
LOCATION:Noel Salter Room\, New College\, Holywell Street\, Oxford\, OX1 3BN\, United Kingdom
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SUMMARY:Armand d'Angour - Songmaking to Socrates: New Light on Ancient Classics
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SUMMARY:Armand d'Angour - Songmaking to Socrates: New Light on Ancient Classics
DESCRIPTION:
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SUMMARY:Armand d'Angour - Songmaking to Socrates: New Light on Ancient Classics
DESCRIPTION:
URL:https://pharos.foundation/event/armand-dangour-songmaking-to-socrates-new-light-on-ancient-classics/2026-02-16
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SUMMARY:Armand d'Angour - Songmaking to Socrates: New Light on Ancient Classics
DESCRIPTION:
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SUMMARY:Armand d'Angour - Songmaking to Socrates: New Light on Ancient Classics
DESCRIPTION:
URL:https://pharos.foundation/event/armand-dangour-songmaking-to-socrates-new-light-on-ancient-classics/2026-02-02
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SUMMARY:Alexander Marr - Art & Wit in the Renaissance
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In so doing\, we will touch on some major themes in sixteenth-century culture: the complex nature of ‘character’; disputes over biological and artistic parentage; the paradox of lively death; and the vexed relationship between the thinking mind and skilled hand. \nDr Alexander Marr FSA is Professor of Renaissance and Early Modern Art at the University of Cambridge\, a Fellow of Trinity Hall\, and President of Leonardo da Vinci Society. 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URL:https://pharos.foundation/event/alexander-marr-art-wit-in-the-renaissance/2024-11-25
LOCATION:Noel Salter Room\, New College\, Holywell Street\, Oxford\, OX1 3BN\, United Kingdom
CATEGORIES:Studies
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UID:10000029-1731949200-1731952800@pharos.foundation
SUMMARY:Alexander Marr - Art & Wit in the Renaissance
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”.vc_custom_1731926697841{margin-bottom: 0px !important;padding-top: 2rem !important;}” text_direction=”default”]\n\nFrom the satirical barbs of Erasmus’s In Praise of Folly (1511) to the urbane games of Castiglione’s Il libro del cortegiano (1528)\, wit was a serious subject in the Renaissance\, addressed in natural philosophy and medicine as the intellective part of the human soul\, in artistic theory as the wellspring of creativity\, and in criticism as one of the most important markers of authorial voice. Yet wit’s visual fortunes in the period have barely been explored. \nVisual wit was a kind of pictorial ingenuity\, through which artists sought to rebut the humanist claim that by imitating nature they were merely replicators\, not inventors. Hans Holbein the Younger\, in particular\, engaged in a kind of guerilla warfare with the humanists he knew and portrayed\, including Erasmus and Sir Thomas More\, appropriating their ingenious techniques of ambiguity\, self-contradiction\, and disguise in a playful contest between painting and poetry. \nThis series of lectures will trace visual wit in Holbein’s hands\, as he evoked breath\, voice\, and brain through cunning conceits such as More’s ambivalent half-smile and Erasmus’s keen nose. In so doing\, we will touch on some major themes in sixteenth-century culture: the complex nature of ‘character’; disputes over biological and artistic parentage; the paradox of lively death; and the vexed relationship between the thinking mind and skilled hand. \nDr Alexander Marr FSA is Professor of Renaissance and Early Modern Art at the University of Cambridge\, a Fellow of Trinity Hall\, and President of Leonardo da Vinci Society. 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URL:https://pharos.foundation/event/alexander-marr-art-wit-in-the-renaissance/2024-11-18
LOCATION:Noel Salter Room\, New College\, Holywell Street\, Oxford\, OX1 3BN\, United Kingdom
CATEGORIES:Studies
ATTACH;FMTTYPE=image/webp:https://pharos.foundation/wp-content/uploads/2024/11/Alexander-Marr-Pharos-Banner-Images-040324-copy.webp
END:VEVENT
END:VCALENDAR